A vaulted porch connects the two main pavilions of the home.
After living in a 1950s rambler for roughly 20 years, Charles and Charlotte Perret became fascinated with a home in their Chevy Chase neighborhood that had been built by Anthony Wilder Design/Build. When they met to discuss remodeling possibilities, Wilder and architect JP Ward introduced the couple to a concept design by renowned DC architect Hugh Newell Jacobsen, a “Dream Home” created in 1998 for Life magazine’s annual feature that showcased a home by a well-known architect. “We fell in love with it,” recalls Charlotte. “It is exactly our taste: the simplicity and little oddities such as the oversized chimney—which we love.”
The home's gabled forms are a trademark of Hugh Newell Jacobsen's designs.
The Perrets decided to tear down their house and build a Dream Home of their own. They purchased Jacobsen’s design and turned to Wilder to adapt it to their site and their own specific needs. Five years later, their Jacobsen-concept/Wilder-built home has won local, regional and national awards from the National Association of the Remodeling Industry.
The home's gabled forms are a trademark of Hugh Newell Jacobsen's designs.
Bold artwork and furnishings in the foyer set the tone for the clean-lined, modern interiors.
The home displays such typical Jacobsen trademarks as simple gabled forms and linear rooflines. It consists of two pavilions joined in the center by a third housing the main living area. The right pavilion houses the kitchen and dining room while the other contains the master bedroom and two other rooms that double as home offices and guest rooms, each with its own loft.
Wilder and Ward customized the home while preserving its clean lines and amplifying the light. In fact, this house is all about light. 
The living room opens to the vaulted porch and back terrace, where comfortable furniture creates an inviting locale for al fresco gatherings.
In the foyer, daylight streams through three small dormers to highlight white walls and ebony-hued hickory floors. Spotlights suspended from the ceiling illuminate a painting of Istanbul’s harbor by the homeowners’ daughter, Eugenie Perret; a bench from Minima, her contemporary furniture showroom in Philadelphia, sets the minimalist tone for the rest of the house.
A painting by Eugenie Perret makes a bold statement above the fireplace in the living space that joins the home's main pavilions.
Kalwall, an opaque composite, clads the vaulted ceiling of the porch, admitting light but blocking heat gain.
As the design neared completion, Charlotte expressed the desire for a screened porch. In response, the designers created a roomy living space with a vaulted ceiling of Kalwall, a translucent material that blocks out solar gain on a bright day. Doors from the living room, master bedroom and kitchen often remain open to the porch in pleasant weather.
Beyond the porch, a terrace of marble steps down to a pool. With a perimeter of gravel, the marble rests slightly above grade, visually denying the heft of the stone. At night, lights embedded in the gravel illuminate a red concrete wall and the marble bench slicing through it. “That bench weighs over 1,300 pounds,” Wilder says. “It took 12 people to pick it up and slide it into the wall.” Firmly suspended, the bench appears to float.
Red lacquered cabinets by Neff, an oversized Silestone island and built-in wine refrigerators marry form and function in the kitchen.
The dining room in the kitchen pavilion overlooks the back terrace; windows on three sides bathe the space in natural light.
After the first phase was complete, the Perrets decided they wanted more space to accommodate visiting children and grandchildren. Utilizing the basement was the obvious option, though it was dark. With the marble decks in the rear, excavating the front of the property was the only possible solution for adding more space.
The design team concealed the pool machinery behind a red wall, which acts as a visual and sound barrier.
Wilder’s team expanded the lower level toward the front of the house; it now consists of a large entertainment area, an exercise room and a guest room and bath. Windows in the front of the house and an open stair well from the master bedroom pour plenty of daylight into these spaces.The excavation inspired Wilder and Ward to create a below-grade courtyard outside the lower rooms, traversed by a flagstone bridge leading to the front door. A small stand of bamboo reaches upward, softening the austerity of the entry.
In the master bedroom, light from the expanse of windows fills the room, which overlooks the pool. The tranquil master bath maximizes space. Twin vanities are separated by a passage to the shower behind one vanity and a toilet behind the other. Natural light flows down to the shower and bathtub from skylights above.This iconic, contemporary Dream Home is now filled with energy generated by the sun—and by modern innovation.
Another of Eugenie’s paintings occupies the space above the living room fireplace, creating an exciting, kinetic focal point. Individual gas jets and a long, narrow firebox offer a novel take on the traditional hearth.The dining room and kitchen flow together, yet the dining room reflects a refined sensibility that separates it from the spacious, functional kitchen. Rectangles of draped cloth soften the fluorescent ceiling light. Bright red lacquered cabinetry adds drama to the room. 
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